Arri PL Mount Tokina Cinema ATX lenses. Adding the brand new Tokina Cinema 11-20mm T2.9 ATX. This video design lens is designed for contemporary electronic digital movie creation having a super broad industry of see and lightweight yet entirely presented all aluminum build. The latest 11-20mm comes with a cinema fashion focus have with .8 Mod cinema gears on the main focus, zoom and iris bands. Created using a niche standard 95mm top ring for clamping onto a flat package as well as an 86mm filtering thread, it can be prepared for convenient purification options no matter if by using a common flat box or demanding shooting conditions in which a very low information filtration is necessary.

Arri PL Mount 11-20mm Tokina Cinema ATX lenses

Tokina Cinema ATX 11-20mm T2.9 Wide-Angle Zoom Lens, Arri digital  PL Mount, parfocal optical layout provides for zoom racking
Tokina Cinema ATX 11-20mm
T2.9 Wide-Angle Zoom Lens

Featuring the Tokina Cinema Vista Lens Mount that can be very easily exchanged from PL, EF, Sony E, MFT and Nikon F, quickly for maximum versatility with frequent cinema and still/cinema crossbreed video cameras. The parfocal optical layout provides for zoom racking without loss in concentration. The distortion is incredibly well handled and restricted chromatic aberration when capturing at greatest large available aperture. The lens layout also features Super35 indicator insurance.

Overall, the Tokina Cinema 11-20mm ATX is the perfect do all small very vast direction lens for today’s challenging and ever shifting computerized cinema generation atmosphere.


Cinema ATX 11-20mm T2.9 Wideangle Zoom Lens – Presenting the brand-new Tokina Cinema 11-20mm T2.9 ATX. This video style lens is made for contemporary digital video manufacturing using a extremely broad area of see and portable yet completely highlighted all metallic develop.The latest 11-20mm includes a video style focus toss with .8 Mod video gears on the focus, zoom and iris jewelry. Made using a marketplace standard 95mm front diamond ring for clamping onto a matte pack as well as an 86mm filtration line, it is actually all set for simple purification options regardless of whether employing a common matte box or difficult taking pictures conditions wherein a low account filtration is necessary.

Presenting the Tokina Cinema Vista Lens Mount that can be quickly exchanged from PL, EF, Sony E, MFT and Nikon F, quickly for optimum adaptability with frequent cinema yet still/cinema crossbreed digital cameras.The parfocal visual design provides for zoom racking without loss in concentration. The distortion is very well operated and limited chromatic aberration when snapping shots at maximum vast wide open aperture. The lens layout also capabilities Super35 sensor insurance coverage.

Overall, the Tokina Cinema 11-20mm ATX is an ideal do all portable very large perspective lens for today’s challenging and ever transforming electronic cinema creation environment. 86mm PRO IRND Filtration – Tokina’s Newly Created Accu-ND Technologies Redefining a combination of IR and ND Filtering Almost all of today’s high-conclusion cameras will not come built with a built-in low-complete or IR cut filter because they attempt to mirror the human eyesight and receive as much information as is possible from the image subject.

The better sensitive cameras are to light, however, the better coverage should be maintained utilizing a more powerful ND filter which creates infra-red air pollution. To ease this issue, a lot of camera manufacturers suggest the use of an IRND filtration, even though many from the IRND filters on the current market have undesirable side effects that come along with them including color changing.

Tokina Cinema ATX 11-20mm T2.9 Lens, ARRI PL Mount, 86mm 1.5, 1.8, 2.1 Filter
Tokina Cinema ATX 11-20mm
T2.9 Lens, ARRI PL

Furthermore, soon after incorporating or replacing an IRND filtration system, the white equilibrium has to be modified to preserve real coloration fidelity, that may become excessive operate. In the long run, the advantage of reducing infra-red toxins doesn’t appear like a good deal of benefit contemplating the requirement to continually white equilibrium in a snap after which right coloration changes in post.

Designed to Accuracy for the ability of Cinematography With regards to the development staff at Kenko Tokina using their impressive Accu-ND Technological innovation, developing a Neutral Denseness filter that precisely handles the amount of gentle coming into the lens without impacting the color. A progressive filter that stabilizes the transmittance of color during the entire noticeable spectrum.

The Tokina PRO IRND filter comes in 2 designs, circular and rectangular/rectangle. The rounded PRO IRND filtration system posseses an ND vapor deposition covering on both sides of your glass creating a higher accuracy, genuinely natural filtration system. The sq ./rectangle-shaped type of filtration system posseses an ND vapor deposition finish sandwiched between two layers of cup hence the filtration system can be re-finished repeatedly should it get scratched, extending the lifestyle of your filtration system.

You can find generally 2 types of IRND filter developing functions currently on the market right now. One particular variety slices the near infra-red coming from a certain wavelength and also the other controls rather than slashes the infrared approximately 1200nm. The Tokina PRO IRND filtration system is of the latter group, using suppression as an alternative to cutting to eliminate infrared pollution. Though both strategies could be equally effective, the former kind of decreasing is frequently vulnerable to producing undesirable shade changes.

Tokina Cinema AT-X 100mm T2.9 Macro Lens for Canon EF Mount Cameras
Tokina Cinema AT-X 100mm
T2.9 Macro Lens Canon EF Mount Cameras

Macro AT-X Canon EF

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